This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, animations, and a self-reflexive style(at one point it features a split screen tracking shot; the sides have opposite Dutch angles).
IMDB page (8.3/10)
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